Mon, 
      11 Mar 2002 
      BILL CLINTON'S PEP TALK | 
   
   
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 I work in a rather 
        large company that occupies a couple building here in San Francisco. Once 
        day, the twelve youngest employees (of which I'm the oldest - in the dream 
        anyway, I've no idea of who the youngest in the company really is) are 
        called into a meeting on the fourth floor in our main office. Angel Island 
        is the name of the meeting room, and it's a long room with a glass wall 
        on one side for people to look in (thus giving it its whispered nickname 
        of 'the Fishtank'), or for people in meetings that are bored to look out. 
        Opposite the window is a dry-erse board that spans the entire wall.
      Once the twelve of 
        us 'youngsters' get to the room, we find none other than Bill Clinton 
        waiting for us - in drag. We found out later that he was in drag in order 
        to move about the public in disguise, but that's not nearly the wierdest 
        part. When the dozen of us is finally seated, the door the room is closed 
        and Bill begins on his rant.
       With a black marker 
        in his hand, towards the right side of the board, he draws a small circle. 
        Then he drags on for a couple minutes explaining, in no specific detail, 
        the important significance of that circle. Once done speaking, he eyes 
        us as if he were the first to figure out the answer to some age-old problem. 
        Then he raises an index finger with the body language that suggests that 
        not only what he said was pure genius, but that there's plenty more.
       He draws another circle.
       He explains it.
       He lets it sink in 
        for a bit. When he thinks we're ready to shoulder the burden of yet another 
        blast of intellect, he draws another circle.
       And he explains it.
       And on and on it goes. 
        Circle. Explanation. Praise of his own genius. Circle. Explanation. Praise 
        of his own genius.
       A couple dozen cirlces 
        are neatly grouped towards the right end of the dry-erase board now, and 
        good old Bill's standing there with his arms folded and his cheeks red 
        from smiling at his own scholarly discoveries. He's made no sense thus 
        far, and the 'explanation' he's given in reference to each and every circle 
        was about their roundness and that they're only black because he chose 
        to use a black marker - thus keeping them from being any other color.
       Idiot.
       But that wasn't enough.
       When we all thought 
        he was done, we began to knod excitedly and mumble about how smart and 
        interesting what we just saw was, and that we were sure to tell everyone 
        we knew about it. We thought it was over.
       He raises his index 
        finger again, along with an eyebrow and a knowing grin.
       He draws a huge circle 
        on the left side of the board, tells us to wait just a minute for the 
        one thing that'll pull it all together so it would make sense, and draws 
        lines to connect the big cirlce to the little ones. A line from the big 
        circle to connect to a little one. Then another line from the big circle 
        to connect to another little one. When he was done, none of the little 
        circles connected to eachother, but they all connected to the big circle. 
        He explained that to us, and went further to clarify that it was his will 
        that the ink in the marker was used in such a fashion.
       I was stunned. But 
        just as I was about to open my mouth, Bill makes a hand gesture to bring 
        in someone new. A girl walks in, a Polish girl, and she begins to sing. 
        Nearly every note that comes out of her mouth, Bill applauds and looks 
        at us with that, "Eh!? Ain't she somethin'!?" look.
       She goes on for about 
        four or five songs, all the while one would catch Bill nodding off in 
        between roaring applause.
       When the girl finishes, 
        she leaves. Secret Service then flood the room, restraining us and hand-cuffing 
        us to our seats. Why? So Bill would be assured a safe environment for 
        him to depart from. Once he was safely out of the room, we were released 
        and sent back to our desks. 
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