Mon,
11 Mar 2002
BILL CLINTON'S PEP TALK |
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I work in a rather
large company that occupies a couple building here in San Francisco. Once
day, the twelve youngest employees (of which I'm the oldest - in the dream
anyway, I've no idea of who the youngest in the company really is) are
called into a meeting on the fourth floor in our main office. Angel Island
is the name of the meeting room, and it's a long room with a glass wall
on one side for people to look in (thus giving it its whispered nickname
of 'the Fishtank'), or for people in meetings that are bored to look out.
Opposite the window is a dry-erse board that spans the entire wall.
Once the twelve of
us 'youngsters' get to the room, we find none other than Bill Clinton
waiting for us - in drag. We found out later that he was in drag in order
to move about the public in disguise, but that's not nearly the wierdest
part. When the dozen of us is finally seated, the door the room is closed
and Bill begins on his rant.
With a black marker
in his hand, towards the right side of the board, he draws a small circle.
Then he drags on for a couple minutes explaining, in no specific detail,
the important significance of that circle. Once done speaking, he eyes
us as if he were the first to figure out the answer to some age-old problem.
Then he raises an index finger with the body language that suggests that
not only what he said was pure genius, but that there's plenty more.
He draws another circle.
He explains it.
He lets it sink in
for a bit. When he thinks we're ready to shoulder the burden of yet another
blast of intellect, he draws another circle.
And he explains it.
And on and on it goes.
Circle. Explanation. Praise of his own genius. Circle. Explanation. Praise
of his own genius.
A couple dozen cirlces
are neatly grouped towards the right end of the dry-erase board now, and
good old Bill's standing there with his arms folded and his cheeks red
from smiling at his own scholarly discoveries. He's made no sense thus
far, and the 'explanation' he's given in reference to each and every circle
was about their roundness and that they're only black because he chose
to use a black marker - thus keeping them from being any other color.
Idiot.
But that wasn't enough.
When we all thought
he was done, we began to knod excitedly and mumble about how smart and
interesting what we just saw was, and that we were sure to tell everyone
we knew about it. We thought it was over.
He raises his index
finger again, along with an eyebrow and a knowing grin.
He draws a huge circle
on the left side of the board, tells us to wait just a minute for the
one thing that'll pull it all together so it would make sense, and draws
lines to connect the big cirlce to the little ones. A line from the big
circle to connect to a little one. Then another line from the big circle
to connect to another little one. When he was done, none of the little
circles connected to eachother, but they all connected to the big circle.
He explained that to us, and went further to clarify that it was his will
that the ink in the marker was used in such a fashion.
I was stunned. But
just as I was about to open my mouth, Bill makes a hand gesture to bring
in someone new. A girl walks in, a Polish girl, and she begins to sing.
Nearly every note that comes out of her mouth, Bill applauds and looks
at us with that, "Eh!? Ain't she somethin'!?" look.
She goes on for about
four or five songs, all the while one would catch Bill nodding off in
between roaring applause.
When the girl finishes,
she leaves. Secret Service then flood the room, restraining us and hand-cuffing
us to our seats. Why? So Bill would be assured a safe environment for
him to depart from. Once he was safely out of the room, we were released
and sent back to our desks.
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